Sid & Aya Not A Love Story

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Jun 07, 2018  All is fair in love and war. When all is said and done, that’s the cherry to pick in Irene Villamor’s endearing new film, “Sid & Aya (Not a Love Story)”. The parenthetical in the title is a white lie, in that the film is, partly, a love story. Anne Curtis and Dingdong Dantes are starring for the first time in a film together, which looks like a love story (but ironically, the film is titled, Sid and Aya: Not a. Sidney, known more commonly as Sid, is a ground sloth who was part of a herd of different animals after a number of adventures and experiences brought them all together. He is the tritagonist of Ice Age and Ice Age: The Meltdown, the main protagonist of Ice Age: Dawn of the Dinosaurs, a major.

DIRECTED by: Irene Villamor Sid and Aya (Not A Love Story) is a film about exactly what it sounds like: the relationship between Sid (Dingdog Dantes) and Aya (Anne Curtis), but Sid is really the protagonist. He is an insomniac stockbroker with a potential pill problem. When he can’t sleep, he frequents a coffee shop in his neighborhood where he meets Aya, an employee. The film begins with a voiceover from Sid explaining all of the reasons he cannot sleep, and one of them is, of course, “her.” The film then shows a flashback of a scene wherein Aya tells Sid she loves him through the window. Later on, when we see this shot in the cinematic present, it turns out that Aya’s affection was only to win a bet. She tells Sid outside the shop that the first of the employees to say “I love you” to him wins the bet.

His internal monologue dictates that he isn’t into getting to know people he doesn’t “need,” but something about Aya compels him and he invites her to spend some time with him, but she won’t do it for free. He offers her $1,000 an hour for her conversation when he cannot sleep.

Stylistically the film is quite dynamic. For me, coming from a western context, steeped in mostly western films, Sid and Aya in interesting to watch because of its breaking of the 180-degree rule, as well as its frequently changing shot scale. The film is also auditorily interesting as characters frequently switch between Tagalog and English. These two aspects create a cinematic dynamism that goes beyond that of the film’s plot.

Aya sees right through Sid’s semi-fake deep bullshit. When he tells her that what we love eventually kills us, she scoffs, shakes her head and replies, “we all die, and that’s that.” After that night, they start to run into each other. Turns out, Aya not only works at Sid’s usual coffee shop, but also at his dry cleaner as well. The film tries to interrogate moral questions: Sid’s morality working for an investment firm and Aya’s morality smoking cigarettes.

Aya tells her they’re probably the same, but he is probably a little bit worse. Sid scopes out a politician and a few businesses that he thinks will soon merge their assets. If that happens, he says, there will be protests but that they won’t amount to much. His partner replies, “Fucking protesters, aren’t they tired? The strong will always prey on the weak. Nothing’s ever fair.” Sid goes to find Aya at her third job, where she is a theme park performer.

He shares his news about his partner as though she asked! Aya tells him off, asking if she’s his girlfriend now and where his actual girlfriend is: out of the country. She tells him they can be friends at an increased rate. Aya works her three jobs to make money for her family, especially for her ill father. One night, Sid starts to recite to her the facts of the top 1% of wealth owners, unironically.

Aya stops him and tell her that since she’s poor, she already understands the consequences of wealth inequality. Obviously, their relationship grows to be more intimate. Aya begins to seek Sid out on her own. Even though the film is centered around Sid, Aya is what textures the film. She engages her struggles with personality, humor and vibrancy – qualities that Sid does not seem to share. He watches her in awe.

This is a film that subverts your expectations of the romantic drama. In its opening monologue, you think this is going to be a story of a once-passionate and loving relationship that went up in flames. What you’re greeted with is the semi-tumultuous pairing of two very unlikely companions. But of course, it is also a film that fills your expectations as well; there is a love story, even if it’s one that feels unconventional at first, and I don’t think I’m mad at that. Three nerdy college freshmen, Ethan, David, and Justin, are having a tough time adjusting to college life. Rejected and ridiculed by just about every fraternity on campus, they are prepared to give up all hope. That is, until a girl invites them off campus to a party at a secluded mansion. They are not only invited in, but also treated like princes by the resident brothers.

The party is everything they dreamed college would be—beautiful women, drinking, and most importantly, a cool group of guys willing to accept them as one of their own. When the friends are presented with an opportunity to pledge the elite social club, they accept without hesitation. However, as the gruesome, dehumanizing hazing progresses, a more sinister picture of the club emerges. Inspired by true events, a man recounts the summer of ’94 when he and his brother plotted revenge against their abusive father. ROCKAWAY is a coming of age drama following two brothers, John and Anthony, who have high hopes of a Knicks Championship and a new, easier life. John relies on his older brother and his imagination for protection from their abusive father. They’ve always had just each other and their secrets, until they meet a group of boys who show them the love and companionship only achieved through the laughs, sweat and tears of sport and boyhood mischief.

The type of friendship that makes you feel less alone, gets you through the tough years, and lasts forever. The film centers around Morgan MacKenzie (Jordan Phipps) – a troubled teen with a checkered past, who finds herself grounded by her father (Kristof Waltermire). Bored and left alone to deal with her ailing and crazy grandmother (Janis Duley), Morgan soon becomes the target of a psycho caller. As the night gets weirder, paranoia begins to set in and Morgan is forced to face some of her worst fears and inner demons as she starts to believe that everyone she knows is either plotting against her or trying to kill her. After a mass shooting at a police funeral, reclusive ex-cop Gannon finds himself unwittingly forced out of retirement when he realizes that the killer belongs to the same militia he joined after quitting the force. Understanding that the shooting could set off a chain reaction of copycat violence across the country, Gannon quarantines his fellow militiamen in the remote lumber mill they call their headquarters. There, he sets about a series of grueling interrogations, intent on ferreting out the killer and turning him over to the authorities to prevent further bloodshed.

In this chilling dystopian thriller, Hayden Christensen (Star Wars series) plays Kurt, a vet suffering from PTSD who comes home to an unholy, unruly land. The world is bad, no question—but local street prophet Noe (Harvey Keitel, Reservoir Dogs) says it’ll get even worse when a catastrophic storm strikes.

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As Kurt heeds Noe’s advice and readies for the apocalypse, he meets sultry Jessica, who also begins to believe. Even as the planet falls apart, Kurt finds his life finally coming together. Please let me know if you would like a screening link for review consideration. DON’T COME BACK FROM THE MOON is a story of abandonment, when all the men in a remote California desert town walk away from their families, one by one.

They leave their angry, frustrated sons and daughters behind — kids who act out, engage in acts of petty burglary and vandalism, and look for love and family connection in the aftermath of their abandonment, all the while trying to understand why their fathers have “gone to the moon,” leaving them to traverse the difficult path to adulthood alone. She was the ultimate patriot. Now, what she knows could bring down the government. Libby Lamm (Tika Sumpter) is a former top national security advisor who, while working with Rachel Burke (Jamie Lee Curtis), a ruthless, steely-willed political veteran, signed off on a controversial military action that was supposed to end the war on terror. The problem: thousands died under false pretenses.

Anime naruto english dubbed. Haunted by what she knows, Libby sets out to tell the truth, risking treason—and her own life—to expose a cover-up that stretches all the way to the highest levels of government. This gripping saga of lies, conspiracy, and betrayal is an explosive look at what it takes to do the right thing—even if that means going up against your own country. ’80s hair-metal band Sonic Grave finds themselves living off a power ballad they released nearly 30 years ago. Eager to become relevant again in the modern day, they embark on a road trip to Coachella, where their manager has set them up to reinvent themselves.

Sid & Aya Not A Love Story Download

All they need is a hit song, and what better way to come up with one than to take peyote in Joshua Tree and let the music gods work their magic? But the plan quickly falls apart when the group finds themselves under attack by killer antsthat keep getting bigger!